CRC Press, Boca Raton, FL, (2015)
248 pp., softbound, 46.76 USD, ISBN: 978-1-4665-8244-6
eBook, 34.97 USD
This is an interesting book, but I am not sure if I should pan it or praise it.
The ﬁrst chapter, “Introduction,” states that the book is “devoted to the ﬁeld of building acoustics,” and as such, one would expect something that is very focused. However, as soon as we get into the second chapter, “Acoustics,” the author starts to move in many directions, including history, levels, weighting, dB operations, propagation over a wide range of surfaces, source directivity, indoor and outdoor sound propagation, barriers, insulation (both airborne and structural), reverberation time, intelligibility, annoyance and disturbance, standards, law, and, let us not forget, active noise control. All of which happens in only 32 pages with two extra pages dedicated to listing 79 references. Let us not forget that this “primer section” includes a total of 43 examples (short case studies) that cover all of the aforementioned topics and range from “HVAC Large Building” to “The Longest Propagation” to “The Noise from a Cock” (Watch it! He means “rooster”), as well as another case study titled “Barking Noise and Other Animal Noise” (The rooster does not qualify as an animal?). There are some equations (neither properly formatted nor numbered) as well as some ﬁgures, which are numbered but which could be greatly improved in terms of content.
After reading the ﬁrst two chapters, the questions that popped into my mind were: “Did this book ever get edited? Who is it written for?” Do not misunderstand me: all of the topics are of relevance to the ﬁeld of building acoustics, but there is no focus as to who the intended audience is, nor to the direction that the book is following. As an example of the lack of editing, in the third chapter, “Building Acoustics,” Figure 3.1 showing “Direct and ﬂanking transmission between rooms” is a simpliﬁed version of Figure 2.2 “Acoustic transmission paths between spaces.” Similarly, Figure 2.7, “Spatial sound level decay,” reappears exactly as Figure 3.3 (same title). And if the book is called Building Acoustics, why is there a need for a chapter with the same name?
Here is another example of the lack of editing in this book: Chapter 9, “Other Spaces used by the Public,” starts with the following sentence: “As implied by their denomination, other spaces used by the public are public spaces that do not have the glamour of performance halls or the functionality of ofﬁces.” Thus, any logical-thinking reader will question the fact that “Theatres and Cinemas” and “Music and Concert Facilities” appear as Chapters 12 and 13, respectively, that is, after the chapter dedicated to “the other spaces”!
This is disappointing as the author tried to structure almost all of the chapters into simple and organized sections that always follow the same order: (1) introduction, (2) requirements, (3) acoustic targets, and (4) a few basic rules. Each chapter then has one or two speciﬁc sections (if needed); and ﬁnally, examples/case studies. Furthermore, almost all of the information presented in the chapters ranges from useful to very useful, so it is a disappointment to see how it was arranged.
My suggestion to the publisher for a future edition would be to allow for some major “cut-and-paste” by someone who knows the topic and who can focus the direction toward a speciﬁc audience. Start by shortening the “Acoustics” chapter, and transfer the materials in the “Introduction” to more dedicated chapters. Just rearrange the materials (no need to delete much), and then follow the simple organized structure for the sections (maybe highlight the examples/case studies to make them easy to locate). Finally, order the chapters in a logical fashion.
All of the components for a great book are in place.
Dominique J. Chéenne
Columbia College Chicago
Chicago, IL, USA